You may of heard by now of the recent work by renowned artist Andy Goldsworthy titled 'Spire'. Along San Francisco's distinctive northern edge, where city gives way to defunct military quarter is the Presidio and here you will find his latest installation. The sculpture is a collection of trees; literally. Fallen and slated for removal as part of a reforestation project in the heavily wooded terrain, Goldsworthy collected these gentle giants and has carefully fastened them together. Not soley in the name of nature, but rather city as the name should suggest.
What appears now as distinct, naked form in the landscape will gradually transform over time. As Goldsworthy describes "taking root" in context both physically and metaphorically. Projecting forward some twenty or thirty years from now one can only imagine the disguised relationship between the 'Spire' and a rejuvenated coastal forest. It is as though this latest work, and undoubtedly it was in its creation, had the foresight of incremental change through time.
Spire speaks gracefully of structure and permanence and yet exhibits the fragile reality of natures vulnerability. We view its dialogue with city towers peeking over distant hills and we are also witness to its place among trees. It is the delicate balance between these two conditions that so appropriately defines this work at the cities edge.
To visit 'Spire' travel west on Pacific Avenue along the Presidios southern border. From the southeastern most corner of the park proceed west about 3/4 of a mile to Arguello Blvd. Go right and a foot path to 'Spire' picks up approximately 200 feet from the intersection of Pacific and Arguello just past the parking area of the Presidio golf course. Traveling there on foot (even from the center of the city) is most satisfying.