Condencity_17 Seoul underground



It's what is hidden from immediate view that makes cities such great places. Disguised and buried we are forced to seek out complex places that can only be discovered with open eyes. Seoul is a city with a double identity. The street life of Seoul and the underground reality coincide at limited junctions.

Buried pedestrian ways mirror streets above. An Underground shopping network extending more than a quarter mile in Seoul's south side links to subway routes tied to just about every corner of the city. It is part of a cryptic network of public spaces that define Seoul.

There are usually two sides to most things. 

Read the entire article on Seoul Underground at Flavorpill


Condencity_16 외국인


Foreigner (외국인)

Looking from the outside in can be an unsettling thing for many. I happen to like it.

Discovery is unencumbered with fresh, unbiased eyes. In the coming weeks and months of 2009 I will be writing brief accounts of urban and architectural experiences in Seoul for an online culture and arts journal. Formulating ideas and opinions in a city such as Seoul feels natural. Loaded context.
See and write at will.



16


Chilly Reception
bites hand

Frozen crystal wind

kisses street

darkness
shimmer

Seoul at 16 degrees 



Economy of Change




The downward economic spiral is being lamented at all corners of the media. If we stop and consider for a moment , this economic slide is a good thing for the profession of architecture. No, really it is. It is long past due for critically rethinking what gets built and how it gets done. Certainly there are good projects that take shape during bustling economic times but the majority of our banal built environments are the product of quick speculation. The excess of bad development both urban and suburban now has the chance to be reconsidered and it most likely will be. For profit housing developments, strip malls, deathly banal corporate office buildings' can take pause for a moment.

Many professionals will go through tough times. Many more jobs will be lost and offices will close. Some may even have to reconsider architecture as a viable profession.

Darkness breeds paradigm shifts. The orgy of excess had to end at some point.


Ten Scenarios [for the unresponsive mall]



playground mall

Recently I’ve read numerous articles about the growing retail crisis in light of the current economic situation. Even more eye opening is the impending number of shopping mall closures that may occur throughout the United States due to these conditions. It has been predicted that as many as several thousand may close their doors due to underwhelming performances. Economists and others will argue what a horrible thing this might be for local economies however, after years of exclusivity the mall should be reconsidered. Re-integration, both socially and environmentally within suburban communities; reinvesting on a sustainable level.
The mall has long symbolized a prescriptive social experience offering limited commercial interests and conforming supervised behaviors. Deviation from these expectations has meant expulsion and even labels of criminal negligence. More disturbing may be the consumptive pattern of what malls represent. Massive requirements of regulating energy for internal conditioned spaces, predominant auto reliance for traveling to and from, and altered ecosystems/ waterways, blanketed by vast areas of big box shells and fields of asphalt.
Arguably the mall is life draining in many ways. Perhaps it is time to inspire beyond current rules and expectations? We might consider methods that give back to communities both in social and environmental return (positively and controversially).
I propose 10 alternatives for soon to be vacant malls throughout the US.
PLAYGROUND MALL:: Vacant malls are stripped bare to structural skeletons. The exposed steel frameworks become supports for super slides, swings and jungle gyms. Children’s shouts and laughter break through the parent “shushing” mall day barriers.
MALL FARMING:: Parking lots transform to cultivated fields of seasonal fresh fruits and vegetables. Produce fields are harvested, processed and sold in the newly reclaimed mall structure transformed to farmers market. The existing mall becomes a place of process and marketing, providing the local community a point source of sustenance. Cold climate locations have indoor green houses for year round cultivation.
FREE MARKET MALL:: Aspiring shop owners and impromptu flee marketers ebb and flow in the new free space with raised roof and unlocked doors. It’s first come, first to sell in an ever evolving, ever changing opportunity. Sellers agree to local taxation from profits of sales as trade for space use.
MALL SANCTUARY:: ‘Wild’ teenagers give way to roaming wildlife. Creatures large and small burrow into abandoned walls under locally mandated protection status. After decades of natures reclaim the sanctuary becomes a place of study for young students to observe ‘protected’ progress.
SOLAR MALL:: Vast parking lots with idle cars make way for large solar collecting arrays sufficient to produce energy to power surrounding cities. Mall structures house power stations to store and convert the energy to usable form. The mall publicly demonstrates a quick about-face from ‘consumer’ to ‘producer.’
HOUSE MALL:: The interior transformation of acoustical demising walls, independent heating and cooling systems and separate entries subdivide vacant malls into dense affordable living opportunities for all social levels. Tiered walkways become community sidewalks with evening strollers out well past dinner. Large communal living room space included.
AUTO MALL:: The auto friendly mall goes one step further as a salvage and recycle center for spent automobiles. Abandoned and donated vehicles fill parking stalls and await a trip inside the mall for parting and recycling of all short-life components. Every thing is reclaimed including hazardous materials for proper storage and disposal. The mall is the consumer.
MALL CISTERN:: Vacant malls in rain plentiful regions become large scale water collection, storage and distribution facilities. Big box store shells are emptied and waterproofed to become massive tanks. Parking lots are demolished and surrounding lands once again naturally recharge surface absorbed precipitation.
MALL MAUSOLEUM (and cemetery):: Car stalls become burial plots and massive mall structures convert to house thousands of lifelong dead consumers in refashioned storefronts honoring past lives. Return of families for years to come keeps alive traditions of busy shopping days and holiday traditions.
CONDEMNED MALL:: Wayward drifters, vagabonds and the criminally minded quickly take over endless abandoned corridors. Before long territorial and other disputes establish a one-way trip inside with slim chances of making an exit; people enter but may not return. Entries to condemned malls are posted with legal disclaimers of “enter at own risk”. Temptation proves to be too much for some.

Condencity_15 empty space



As the long shadows of winter set in we are reminded that empty public space is often full of urban hope. Really, the 2008 completion and opening of the New Jewish Museum in San Francisco offers precisely that. Its emptiness striking; seldom unused at times, well designed benches stoically face Mission Street; awaiting. Having said this, it really is an inviting space. I’ve crossed this newly crowned plaza on a number of occasions over the past year since its grand anticipated opening. A hopeful public place and for once, a recently completed Daniel Libeskind project that doesn’t completely dominate context.

Importantly the argument for public accessibility over architectural form cannot be denied. Of course we need continued ‘building’ additions to our cities but we also need vacant, open spaces. Moments of silence where one can contemplate the perfection in not being something.
Architecture is important but so too is nothing being there.


The Education of an Architect



Adèle Naudé Santos, dean of the school of Architecture and planning at MIT, set to receive 2009 Topaz Medallion for excellence in education

Flashback to the summer of 2000.

It was the height of the dot com boom in San Francisco. Our small office at Adele Santos' studio was enjoying a momentary flurry of work for a dot com start up eager to build a clustered campus of buildings at the edge of South San Francisco. We were busy and happy. From time to time I remember us lamenting the displacement of small local businesses for pioneering internet start ups eager to cash in on the promise of quick profits. Looking back, everything as we new it then, was a temporary bliss.

I sat alongside Berkeley classmates Alice Roche and Jake Watkins that breezy SOMA summer. Every morning I was greeted by Petey the talking parrot. That bird hated me. Basking in morning courtyard sun, days spun by with great memories alongside. It was a balanced experience of critical design debate and creative production fueled with homemade tamales wrapped in banana leaves. We were nothing short of a professional family and Adèle was at the center.

Every young architect deserves a great intern period where skills develop and confidence is fostered. The summer of 2000 did just that for us ( I feel confident in writing). Adèle let us go to do what we did best. We built models by hand and computer, drew wildly free by hand. Feedback was critical but we were ultimately supported in our academic perspectives. At the end of the summer we had compiled a convincing schematic proposal for a series of buildings destined to forever live on paper.

It was an experience I will never forget.


The Gray between digital and manual




Graphic representation: 2001 Combined digital and manual technique, e. reeder Thesis



I spent the morning today as a critic reviewing design work by students at CCA (California College of the Arts) in San Francisco. The foundation of this introductory studio considered digital and ‘hand’ methods of drawing representation. The students were asked to compose an architectural spatial experience via computer modeling. Supplement to the task for many were hand drawn perspective studies and sketch diagrams. At such an early stage in architecture-design education students can easily be torn between process and final representation. To complicate matters the struggle arises of what tools to use. It seems endless the possibility of manual technique, digital, or a somewhere in-between production.

Unfortunately, to first year design students something is lost; either mired in computer application with the goal of "slick" graphic outcome or a lack of rigorous attention to craft by hand. Don’t get me wrong, some of the work I reviewed today was quite good. In fact the students were in some cases able to quickly grasp complex concepts in architectural space and possibilities for convincing representation on paper.

The question for me ultimately stands at a crossroads in time. Traditions of how we work and represent through manual ‘making’ (i.e. hand drawing and model building) and current trends in the digital realm should be carefully considered. Wonderfully there are institutes and classes, as devised by my friends Antje Steinmuller and Lara Kaufman at CCA that, critically question these two disparate modes of working. One could argue that pushing both methods ensures an understanding of concept and technique while at the same time developing needed skills for professional aspirations. Even more compelling though is how these methods might overlap and inform the maker of greater possibility in reading and understanding design process and architectural invention.

Let’s hope the students carry forth the idea that methods for representation, now more than ever, have multiple trajectories for working, with the opportunity to combine various ways of presenting design. 



Condencity_14 compact


Hong Kong Image courtesy K. Lau: colleague at archengine


Compact

The world around is that much closer to a fictional 'center'. New opportunities take shape where the condensed form has made space available. I've always appreciated the lessor of more; an efficiency of space, use and overall size. In essence the state of being compact.

Of course compact can be made extreme as exemplified above. Senses are forced to overlap, edges of privacy tangled. Moreover a repetitive redundancy by nature of proximity transcends what could easily be a deathly banal. What is to become of the tattered in-betweens?

The state of being compact presents the opportunity to combine. Boundaries are dissolved and flexibility becomes requisite. The chance of environment and constructed object to unite in intimate ways, through a careful and thought out interaction of all elements. There is plenty of room in the city to be compact.

The willingness to accept things and places of such form is definitely a cultural one. Consider in many parts of the world where geography and space limit the expansive tendencies common in many consumerist societies. For example, places in the far east are forced to reckon with limited land and available urban spaces. The results are denser realities and the social acceptance of such conditions.

There will come a time when compact is a necessity everywhere.